Archive for Comics

Early Events
Bird Collector: Alison Glenny in discussion with Pip Adam
Surreal Sisters: Jo Randerson, Khadro Mohamed, Cadence Chung, Sarah Scott and Rebecca Hawkes read poetry responding to the Te Papa Surrealism exhibition
“Go, in the name of the devil, go!”: Verb gala night on the topic of flight.
Saturday 6th November
A Ghost in the Throat: Doireann Ní Ghríofa in conversation with Claire Mabey
Atua Wāhine: Dr Ngahuia Murphy, Ataria Sharman in conversation with Whiti Hereaka at Verb 2021
The Problem with Fairytales: Al Gray, Erin Donohue and Helen Vivienne Fletcher reframe disability in fairytales.
Faking It: Kyle Mewburn in conversation with Jane Arthur
Litcrawl Phase 1: Whiti Hereaka in conversation with Anahera Gildea about her new novel, Kurangaituku
Litcrawl Phase 2: Sweet Mammalian
Sunday 7th November
Things I Learned in Art School: Megan Dunn in conversation with Kim Hill
Women in Clothes: Claire Regnault talks to Jesse Bray Sharpin about her book, Dressed: Fashionable Dress in Aotearoa New Zealand 1840 – 1910.
Girl of New Zealand: Michelle Erai in conversation with April Henderson about her book, Girl of New Zealand: Colonial Optics in Aotearoa.
Tui, Tui, Tuiā: Renée, Whiti Hereaka, Matariki Williams, Anahera Gildea and Nadine Anne Hura discuss knitting and writing
24 Hour Comic Day 2021
I did 24 Comic Day! Here is the thread I made in real time on twitter –
#24hourcomicsday pic.twitter.com/xnP8jFVeJg
— Tara (@taracomics) October 1, 2021
This is me in hour one:

Read the scanned version here.
Poetry Shelf Spring 2021 pics
I picked some of my favourite poems for Paula Green’s NZ Poetry Shelf. Read the poems I chose by Karlo Mila, Anna Jackson, Jackson Nieuwland, Hera Lindsay Bird and Rebecca Hawkes and the comics I made about them, here.


2021
HERO OF TWO WORLDS by Mike Duncan
Never Say We Can’t Survive by Charlie Jane Anders
The Commercial Hotel by John Summers
Party Legend by Sam Duckor-Jones
GRETA & VALDIN by Rebecca K. Reilly
How to Live With Mammals by Ash Davida Jane
Heaven No Hell by Michael DeForge
Where We Swim by Ingrid Horrocks
Tranquillity and Ruin Danyl Mclauchlan
2020
State Highway One by Sam Coley
I Am a Human Being by Jackson Nieuwland
Oscar Upperton’s New Transgender Blockbusters and Madison Hamill’s Specimen
Head Girl by Freya Daly Sadgrove and 200ft Above Worry Level by Eamonn Marra
2019
The Absolute Book by Elizabeth Knox
2018
Poūkahangatus by Tayi Tibble and People From the Pit Stand Up by Sam Duckor Jones

THIS IS NOT A PIPE
Beth has a pole through her arms. This is not a metaphor. A metaphor would be a lot less inconvenient.
On the other side of the room, Kenneth is creating a new religion. He thinks narrative is the operating principle of the universe. He also thinks he’s the hero of Beth’s story. Beth is worried he’s going to leave her. The creatures living in the pole may have stolen her cat.
Tara Black’s comic is surreal, dark, sad, perversely joyful, and if you bet someone they couldn’t find another book remotely like it, you would win. It’s a little bit about being with Kenneth. It’s a little bit about losing your cat. It’s definitely not about the pole.
‘One of the most potent, unsettling texts I’ve encountered.’ —Tracey Slaughter
‘Poetic, whimsical and painfully honest.’ —Dylan Horrocks
‘A strange and wonderful book, both surreal and very real.’ —Tina Makereti
‘A freaking masterpiece.’ —Pip Adam
Media:
Waitohi Library – talk and draw with Dylan Horrocks
Landfall Online – Robyn Maree Pickens
Book Club Monster Mash – Sam Duckor-Jones, Erin Harrington and Rebecca Hawkes
Kete Books – Elizabeth Heritage
Afternoons with Jesse Mulligan – Claire Mabey
Otago Daily Times – Hamesh Wyatt

Out of the Fire Pit and into the Dinosaur Pit
– a visual commentary on Jurassic Park: Fallen Kingdom

Many spoilers to follow. Although, if you have ever seen a film with dinosaurs, you will not be surprised. (All pictures drawn in the cinema, in the dark.)
This is a film that asks bold questions such as:
- Are children dinosaurs?
- If children are dinosaurs, are dinosaurs the future?
- Which would you prefer, death by LAVA or DINOSAUR?

I went to this film not having seen Jurassic World so was immediately disappointed to discover that this was not a sequel to a film set in the far future on an alien planet which had been colonised with dinosaurs to make a theme park. Instead, it was a sequel to a film about a dinosaur park called Jurassic World rather than Jurassic Park.
But it was okay, because after the cold open, we have Jeff Goldblum sporting a sexy beard! My eight year old self is excited. A thinking action hero! My 33 year old self is wondering if he still looks good in a sweaty white tank – I bet he will. But it isn’t to be. Jeff Goldblum will not be sweating valiantly in this film; we will leave that to the pretty red-head. Jeff Goldblum’s contribution to the film is to give us the THEME. He gets one of the few close ups in the film that are not of feet, so we know it’s important. I wrote it down in my notes.

And suddenly it makes sense why all the gates in Jurassic World look like teeth. It’s to tell us that they mean death. I don’t mean to quibble, Jeff, but we know what death looks like. It looks like dinosaurs and lava.
But wait, you ask, isn’t joker-with-a-heart-of-gold-in-a-practical-sort-of-way Chris Pratt’s sweating sexy enough for you? It could have been. Except the film-makers took every available opportunity to cover him in dinosaur snot. This made him seem like he had just emerged from a placenta and masked any sexy sweating he might have been doing.

I have decided that there is a metaphor hiding here: Chris wishes to be a dinosaur parent. When we are first (re)introduced to him he is working on a half-built house (NESTING!) and soon after this he sadly watches baby videos of his lost velociraptor.
Don’t worry, though, he still gets to do cool things. For example:
- Make his ex-girlfriend feel bad.
- Roll away from lava while partially tranquilised.
- Roll through a T-rex’s mouth.

4. Crawl into the ceilings of lifts and drop down at opportune moments.
In fact, one of the morals of the story is that to survive a dinosaur apocalypse you really need to be able to control doors, ceiling cavities and dumbwaiters.
Reasons to see this film are also reasons not to see it (worst spoilers to follow):
- The film thinks that lamp-shading fortune cookie dialogue makes fortune cookie dialogue okay.
2. Vehicular mayhem and dinosaur heists!
3. Costume as character development:
a. Both side-kicks lose their glasses by the end.

b. Hot red-head goes from schoolmarm attire to breast definition through sweat.



4. Bad guys are really bad and we can tell because they say things like, “4 million is not worth getting out of bed for” and “nasty woman” and “You should have stayed on the island. Better odds” and generally are not as good at outrunning dinosaurs as good guys.
5. Good guys are good but may be responsible for mass death.
6. The last act is Home Alone 2 if there had also been dinosaurs
7. It has a cute orphan child who saves the day and loses and gains a family and may also be a dinosaur.



I ended up being genuinely moved by the mass extinction on the island in spite of myself. The majesty of the iconic long-necked dinosaur being swallowed by smoke is about as harrowing as an M rated film can get.

I give the film 3 de-extinctions.